The combination and interweaving of architecture, nature and the digital world raises the question of interaction and connection between them. At the center of the work is the image of the screen, the presence of which we have forgotten: the image of the screen, a window to another space and time, a mirror that obscures and steals reality. Zoomorphic drawings, mythological in character and inspired by the hall of the Museum of Nature, form an illusory image that turns into a semi-abstract matter, creating a game in which we easily get lost and remind us of the hyper-reality we are in. Rooms without people, architecture overgrown with paintings, colorful shop windows advertising another reality: they make us think about the question of where one reality ends and another reality/virtuality begins in this digitized and globalized world.